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mouse from merced
Trad climber
The finger of fate, my friends, is fickle.
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Persimmons
by Li-young Lee
1986
In sixth grade Mrs. Walker
slapped the back of my head
and made me stand in the corner
for not knowing the difference
between persimmon and precision.
How to choose
persimmons. This is precision.
Ripe ones are soft and brown-spotted.
Sniff the bottoms. The sweet one
will be fragrant. How to eat:
put the knife away, lay down newspaper.
Peel the skin tenderly, not to tear the meat.
Chew the skin, suck it,
and swallow. Now, eat
the meat of the fruit,
so sweet,
all of it, to the heart.
Donna undresses, her stomach is white.
In the yard, dewy and shivering
with crickets, we lie naked,
face-up, face-down.
I teach her Chinese.
Crickets: chiu chiu. Dew: I’ve forgotten.
Naked: I’ve forgotten.
Ni, wo: you and me.
I part her legs,
remember to tell her
she is beautiful as the moon.
Other words
that got me into trouble were
fight and fright, wren and yarn.
Fight was what I did when I was frightened,
Fright was what I felt when I was fighting.
Wrens are small, plain birds,
yarn is what one knits with.
Wrens are soft as yarn.
My mother made birds out of yarn.
I loved to watch her tie the stuff;
a bird, a rabbit, a wee man.
Mrs. Walker brought a persimmon to class
and cut it up
so everyone could taste
a Chinese apple. Knowing
it wasn’t ripe or sweet, I didn’t eat
but watched the other faces.
My mother said every persimmon has a sun
inside, something golden, glowing,
warm as my face.
Once, in the cellar, I found two wrapped in newspaper,
forgotten and not yet ripe.
I took them and set both on my bedroom windowsill,
where each morning a cardinal
sang, The sun, the sun.
Finally understanding
he was going blind,
my father sat up all one night
waiting for a song, a ghost.
I gave him the persimmons,
swelled, heavy as sadness,
and sweet as love.
This year, in the muddy lighting
of my parents’ cellar, I rummage, looking
for something I lost.
My father sits on the tired, wooden stairs,
black cane between his knees,
hand over hand, gripping the handle.
He’s so happy that I’ve come home.
I ask how his eyes are, a stupid question.
All gone, he answers.
Under some blankets, I find a box.
Inside the box I find three scrolls.
I sit beside him and untie
three paintings by my father:
Hibiscus leaf and a white flower.
Two cats preening.
Two persimmons, so full they want to drop from the cloth.
He raises both hands to touch the cloth,
asks, Which is this?
This is persimmons, Father.
Oh, the feel of the wolftail on the silk,
the strength, the tense
precision in the wrist.
I painted them hundreds of times
eyes closed. These I painted blind.
Some things never leave a person:
scent of the hair of one you love,
the texture of persimmons,
in your palm, the ripe weight.
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Bushman
climber
The state of quantum flux
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On a day when anything can happen...
Fluorescent Paisley Coyotes under the Moon
There in Dogtown
Barked a lonely Coyote
Short on sleep
And high on peyote
She slaked her thirst
On a leftover beer
And ate of some pizza
From a box that was near
Where some climbers slept
Off a drunken debauch
With their table still littered
By their evenings launch
To another dimension
Where they'd swooped and soared
But now they lie sleeping
And loudly snored
And the coyote sneered
At their indiscretion
Though couldn't complain of
The psychotropic selection
And the pizza with shrooms
Psilocybin the type
Combined with mescaline
Left the brain moist and ripe
For unusual visions
And delusional forms
Of an identity crisis
Beyond all the norms
Was the coyote the dreamer
Or only the dream?
Was her mind just the sound
Of the howl or the scream?
So she tried out her voice
At the top of her scale
While she stood on the table
And let loose a wail
And the rattling vibration
Made the crescent moon shift
Spilling out some stars
Down into the drift
Which bounced off the heads
The the startled young men
Who had leaped from their tents
And into the din
Where a paisley coyote
Of fluorescent on wing
Hovered over their heads
And proceeded to sing
Their site it was empty
When their friends came to peak
At the last night's commotion
'Twas the loudest all week
And a search was begun
Through the rocks and beyond
For the partying climbers
Who'd gone missing that dawn...
They found them all huddled
Under Joshua Trees
All shivering and frightened
Picking quills from their knees
Where they'd run through the darkness
With sheer terror and fright
From a flying coyote
In the cold desert night
-bushman
10/09/2016
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Bushman
climber
The state of quantum flux
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I'll have check that out...
Kumbayah
We used to sing Kumbayah
Around the fire
And campfire songs
In Idyllwild
A Christian camp
My parents worked
As counselors
My brother first saw
Old Tahquitz Rock
High on mountain side
As years went by
We worked there too
The garbage detail
Tobin had
I washed more dishes then
Than I ever imagined
But I never imagined
One day the climb would come
I was too young
And out of shape
So I just carried the rope up
While Tobin and friend
Climbed the left ski track
Tobin led his first route
The other guy
Grunted and flailed on top rope
I carried the rope back
Terrified
The years passed
My brother's legacy
Culminated
Fulfilling the prophecy
In a weird way
My earliest memory
A first dream
On passage back from
Overseas
Where Tobin first saw
The mighty alps
How could I know...
How could I know?
Such irony
As a sailors caps flew off the deck
So go our dreams
It's all we have
Who we love
Who we care about
Never aloof
Permanently
We're made to see
-Tim Sorenson
10/09/2016
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Fossil climber
Trad climber
Atlin, B. C.
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This was written as prose, but it is absolutely poetry. Read it aloud, slowly. Listen. You can hear it. You're there.
If I Were the Wind
The wind that makes music in November corn is in a hurry. The stalks hum, the loose husks whisk skyward in half-playful swirls, and the wind hurries on.
In the marsh, long windy waves surge across the grass sloughs, beat against the far willows. A tree tries to argue, bare limbs waving, but there is no detaining the wind.
On the sandbar there is only the wind, and the river sliding seaward. Every wisp of grass is drawing circles on the sand.
I wander over the bar to a driftwood log, where I sit and listen to the universal roar, and the tinkle of wavelets on the shore. The river is lifeless: not a duck, heron, marsh hawk, or gull but has sought refuge from wind.
**
Out of the clouds I hear a faint bark, as of a far-away dog. It is strange how the world cocks its ears at that sound, wondering. Soon it is louder: the honk of geese, invisible, but coming on.
The flock emerges from the low clouds, a tattered banner of birds, dipping and rising, blown up and blown down, blown together and blown apart, but advancing, the wind wrestling lovingly with each winnowing wing. When the flock is a blur in the far sky I hear the last honk, sounding taps for summer.
**
It is warm behind the driftwood now, for the wind has gone with the geese. So would I - if I were the wind.
Aldo Leopold, Sand County Almanac
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Marlow
Sport climber
OSLO
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Beautiful poetry. I can easily see this, feel this...:
The flock emerges from the low clouds, a tattered banner of birds, dipping and rising, blown up and blown down, blown together and blown apart, but advancing, the wind wrestling lovingly with each winnowing wing. When the flock is a blur in the far sky I hear the last honk, sounding taps for summer.
Even "violent" prose sometimes have this poetic quality. This is from Cormac McCarthy's Blood Meridian:
Already you could see through the dust on the ponies’ hides the painted chevrons and the hands and rising suns and birds and fish of every device like the shade of old work through sizing on a canvas and now too you could hear above the pounding of unshod hooves the piping of the quena, flutes made from human bones, and some among the company had begun to saw back on their mounts and some to mill in confusion when up from the offside of those ponies there rose a fabled horde of mounted lancers and archers bearing shields bedight with bits of broken mirrorglass that cast a thousand unpieced suns against the eyes of their enemies. A legion of horribles, hundreds in number, half naked or clad in costumes attic or biblical or wardrobed out of a fevered dream with the skins of animals and silk finery and pieces of uniform still tracked with the blood of prior owners, coats of slain dragoons, frogged and braided cavalery jackets, one in a stovepipe hat and one with an umbrella and one in white stockings and a bloodstained weddingveil and some in headgear of cranefeathers or rawhide helmets that bore the horns of bull or buffalo and one in a pigeontailed coat worn backwards and otherwise and one in the armor of a Spanish conquistador, the breastplate and pauldrons deeply dented with old blows of mace or sabre done in another country by men whose very bones were dust and many with their braids spliced up with the hair of other beasts until they trailed upon the ground and their horses’ ears and tails worked with bits of brightly colored cloth and one whose horse’s whole head was painted crimsom red and all the horsemen’s faces gaudy and grotesque with daubings like a company of mounted clowns, death hilarious, all howling in a barbarous tongue and riding down upon them like a horde from a hell more horrible yet than the brimstone land of Christian reckoning, screeching and yammering and clothed in smoke like those vaporous beings in regions beyond right knowing where the eye wanders and the lip jerks and drools.
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Fossil climber
Trad climber
Atlin, B. C.
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While we're at it...
This is by a dear Atlin friend, Kate Harris, who has just finished a book for Knopf titled "Lands of Lost Borders - Cycling Out of Bounds on the Silk Road". We'll hear a lot more from her. For some amazing writing, check her out on <kateharris/ca>. Read her essay "Contours of Cold". Some incredibly poetic stuff in that one.
NIGHT SONG
all the insoluble night the crickets repeat their questions
not expecting answers not learning lessons by rote
but dismantling loneliness carefully like a bomb
these mantras are the oldest imagination of prayer
minds like little moons exerting force across immensity
tugging at Truth Certainty God all the usual truants
all the absolutes skipping school this time around the universe
desire is suffering Milarepa tells us through the nettles
stuck in his teeth lisping wisdom like slow water
over stones but the fact we will all someday die
argues the danger of longing for too little
when the sun rises it is not a reply but a rephrasing
of the mystery a closing of distances with light
shadows so much vaster than the shapes that cast them
the crickets are quiet loneliness is in pieces
all over the lawn tiny shards precious as gems
one pretty edge short of shrapnel.
-Drunken Boat issue #16
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Fossil climber
Trad climber
Atlin, B. C.
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Oct 17, 2016 - 04:42pm PT
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The Drake
A female duck is called a duck,
The male is called a drake.
He’s loaded with testosterone –
He’s something of a rake.
He’s big and strong but not too bright,
He’s arrogant and loud.
He makes himself conspicuous;
He stands out in a crowd.
He pokes and dabbles in the muck,
And gabbles all the while;
Though he’s a bottom feeder, he
Pretends to have some style.
His foolish bird-brained fan club feeds
His monstrous self-esteem,
His id and ego grow apace,
He struts and quacks and preens.
And when migration time has come
And summer’s nearly spent,
He’ll fly away to Washington
And run for President.
WM
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Bushman
climber
The state of quantum flux
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Oct 19, 2016 - 01:40pm PT
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The World is so like Autumn to me Now
I found pieces of my yard all over today
They were brown or tan, some yellowing
There was an odd owl wing
And a broken metal alligator toy
Another was a piece of yesterday
Something political
I swept them all in a pile
And lit them for an altar
Then sat to pray
"Oh autumn
Don't be afraid to linger
You know I'm melancholy when you are
With the fading light of summer
The doldrums come so easily
If I was an old fishing boat
My mold would be so much worse today
But I'm not
I'm just a man
I'm like a man a moldering
More and more each year as I get older
Pruney skin and creaking withers
I'm like the tree who'd bring back summer
At the first sign of a good rain
It's the same for every season
Where I usually regret the change
Until a few weeks have gone by
So forgive all my transgressions
Oh Autumn
And may we still be here this time next year
And may we mostly have forgotten
This rotten election
And please don't forget
To watch over my family, my pets, and my friends
Amen"
I don't expect that autumn
Should pay me too much credence
-bushman
10/-9/2016
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Marlow
Sport climber
OSLO
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Oct 19, 2016 - 01:49pm PT
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"And when migration time has come
And summer’s nearly spent,
He’ll fly away to Washington
And run for President."
^^^^
Or more like this:
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Fossil climber
Trad climber
Atlin, B. C.
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Oct 19, 2016 - 05:32pm PT
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Not sure I dare try this format but whatthehell, it's all fun. A tanka string. Like haiku, but 5 lines,
5-7-5-7-7.
Winter coming
aspen’s gold has flown
greyness owns all earth and sky
we long for light
snow can not come soon enough
white will light our world again
***
dark limbs wave helpless
arguing with icy wind
pull the chair closer
pine chunks crackle in the stove
stretch toward the sun’s old warmth
***
hard frost furs the roof
north breeze hurries mist southward
I blink sleep away
savouring rich coffee scent
planning now for coming snow
***
the first flakes drift in
perch on the deck and cling there
we dig in the closet
wool and fleece are warm to touch
down can wait for sharper cold
***
all is white at dawn
new snow muffles earth and sound
turn from the window
find the skis in the rafters
waiting for that first long glide
***
put back the new skis
lacking soul of living wood
pull down the wood skis
torch in the bubbling pine tar
inhale taste of winters past
Wayne Merry, August 2016
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mouse from merced
Trad climber
The finger of fate, my friends, is fickle.
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Oct 21, 2016 - 12:26am PT
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You pulled that off well, Wayne.
Hats off to winter
Though it's blowing mighty cold
You're warm and toasty
And that string is worth another read plus.
A melancholy bit from the depths of depression.
Food for Thought, Food for Worms
My family moving south
from north
by leaps and bounds
along the 99
and coming to rest
here
I have lived on the 101
and there are comparisons
two degrees of separation
by the numbers
but there is no place
that is a home to me
like here
Where I sit
where I make my stand
where I will probably lie
under the hardpan
if not mixed
into the sand of Mt. Clark beach
which I can see from
here
For that is my true home
as I see it
in the pines and rocks
of the incomparable place
amid the pure rare air
up there
But of what good is that
splendid air
to a corpse
especially one whose death
was caused in part
by breathing bad air
here?
Something
to occupy my thoughts
if any
after I take my rest
whenever
wherever
if not
here
--MFM
Someone you know may be suffering depression.
I hope it's not you.
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Bushman
climber
The state of quantum flux
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Oct 21, 2016 - 02:43am PT
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With Nary a Trace
The cold night air blankets me
Chilling in a good way
Like the places I see
Some
But we are in between
All the vastness
And temperature extremes
Too far away, disgrace
Would I were a light beam
I were
My mind, my thoughts, my essence
A glowing crown
Iridescent and circular
Ever present
Would I were all of them
Simultaneously
Limited, brief
A flashing tiny spark
As great as all my thoughts are, to me
This kaleidoscopic space
Between two ears, way out there
Somehow escaping
I'm laughing now at both worlds
So sad, they slip away
-bushman
10/21/2016
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Fossil climber
Trad climber
Atlin, B. C.
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Oct 21, 2016 - 09:18am PT
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Mouse, Bushman - you guys just keep getting better!
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Barbarian
climber
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Oct 21, 2016 - 09:42am PT
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An old rooster crows
in the frosty grey dawn.
I turn my collar up
against the chill
take one more look
down that lonely white line
knowing part of me is already gone.
I know the pain
a sailor must feel
dreaming of some other land
a Prodigal son
map in my mind
a stranger longing for Home.
October leaves are falling
softly
I stir them with my boots
the sky is November...
it looks like snow.
Sitting on my roll
in a pickup truck bed
sharing the wind
with an old man's dog
whining of the tires
a Highway Song
The hours pass by me
to the ticking of fenceposts
At dusk
I wander away from the road
to the trees
and as night scatters stars
I push back the cold with a blanket
a guitar
and thoughts of you...
There's a Princess
warm in her storybook
a King
cold
out on his Road
I'm hitchhiking to Colorado.
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Fossil climber
Trad climber
Atlin, B. C.
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Oct 21, 2016 - 02:14pm PT
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Good stuff!
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mouse from merced
Trad climber
The finger of fate, my friends, is fickle.
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Oct 21, 2016 - 07:24pm PT
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Wonderful memory, Scott.
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mouse from merced
Trad climber
The finger of fate, my friends, is fickle.
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Oct 23, 2016 - 02:30am PT
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Norman MacKaig writing about the Cairngorms.
Don't know if there's a title.
I saw it in this blog.
https://heavywhalley.wordpress.com/
Glaciers, grinding West, gouged out
these valleys, rasping the brown sandstone,
and left, on the hard rock below — the
ruffled foreland —
this frieze of mountains, filed
on the blue air — Stac Polly,
Cul Beag, Cul Mor, Suilven,
Canisp — a frieze and
a litany.
Who owns this landscape?
Has owning anything to do with love?
For it and I have a love-affair, so nearly human
we even have quarrels. —
When I intrude too confidently
it rebuffs me with a wind like a hand
or puts in my way
a quaking bog or a loch
where no loch should be. Or I turn stonily
away, refusing to notice
the rouged rocks, the mascara
under a dripping ledge, even
the tossed, the stony limbs waiting.
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mouse from merced
Trad climber
The finger of fate, my friends, is fickle.
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Oct 26, 2016 - 06:50am PT
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As long as we are on the opposite side of the pond, here's a pretty one from Ireland.
The Pretty Girl of Loch Dan
Sir Samuel Ferguson (1810–1886)
THE SHADES of eve had crossed the glen
That frowns o’er infant Avonmore,
When, nigh Loch Dan, two weary men,
We stopped before a cottage door.
“God save all here,” my comrade cries,
And rattles on the raised latch-pin;
“God save you kindly,” quick replies
A clear sweet voice, and asks us in.
We enter; from the wheel she starts,
A rosy girl with soft black eyes;
Her fluttering courtesy takes our hearts,
Her blushing grace and pleased surprise.
Poor Mary, she was quite alone,
For, all the way to Glenmalure,
Her mother had that morning gone
And left the house in charge with her.
But neither household cares, nor yet
The shame that startled virgins feel,
Could make the generous girl forget
Her wonted hospitable zeal.
She brought us in a beechen bowl
Sweet milk that smacked of mountain thyme,
Oat cake, and such a yellow roll
Of butter,—it gilds all my rhyme!
And while we ate the grateful food
(With weary limbs on bench reclined),
Considerate and discreet, she stood
Apart, and listened to the wind.
Kind wishes both our souls engaged,
From breast to breast spontaneous ran
The mutual thought,—we stood and pledged,
“The modest rose above Loch Dan.”
“The milk we drink is not more pure,
Sweet Mary,—bless those budding charms!—
Than your own generous heart, I ’m sure,
Nor whiter than the breast it warms!”
She turned and gazed, unused to hear
Such language in that homely glen;
But, Mary, you have naught to fear,
Though smiled on by two stranger men.
Not for a crown would I alarm
Your virgin pride by word or sign;
Nor need a painful blush disarm
My friend of thoughts as pure as mine.
Her simple heart could not but feel
The words we spoke were free from guile;
She stooped, she blushed,—she fixed her wheel,—
’T is all in vain,—she can’t but smile!
Just like sweet April’s dawn appears
Her modest face,—I see it yet,—
And though I lived a hundred years
Methinks I never could forget
The pleasure that, despite her heart,
Fills all her downcast eyes with light,
The lips reluctantly apart,
The white teeth struggling into sight;
The dimples eddying o’er her cheek,—
The rosy cheek that won’t be still!—
O, who could blame what flatterers speak,
Did smiles like this reward their skill?
For such another smile, I vow,
Though loudly beats the midnight rain,
I ’d take the mountain-side e’en now,
And walk to Luggelaw again!
Got milk?
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