The Flames.

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When my mother heard "Transverse City" for the first time, her spontaneous reaction was that it was unlikely to sell much because it wasn't funny. She advised me to record a more enjoyable record the next time, and like all good sons, I followed her advice. The result was "Mr. Bad Example".

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From 1965 to 1970, the White Whale label recorded a lot of pop/rock, though the Turtles were its only consistent hitmakers. This 27-track compilation zeroes in on the company's more obscure singles, in which they seemed to touch on most of the shades of pop/rock from the era, though almost always remaining on the lighter side of things. In truth there aren't any gems here, but there's some interesting (and some dull) stuff for major '60s rock collectors to feast upon, as well as some rare tracks penned by Brian Wilson, Paul Williams, Randy Newman, and Randy Bachman to entice fans of those songwriters. The best goodies are the Dillards' 1970 cover of Bob Dylan's "One Too Many Mornings"; Matthew Moore Plus Four's 1965 cover of Buffy Sainte-Marie's "Codyne (She's Real)," one of the earlier and rawer L.A. folk-rock singles; and Freddie Allen's "We've Only Just Begun," the original version of the song made into a mega-smash by the Carpenters (who put out their version just a few months later). As for songs that might be more interesting for the writing credits than for the music, there's Laughing Gravy's close replication of the Beach Boys' "Vegetables," featuring Dean Torrence of Jan & Dean; the Brothers' renditions of rare though unremarkable early songs by Warren Zevon ("The Girl's Alright") and Randy Newman ("Love Story"); and Sugar & Spice's "Not to Return," written by Randy Bachman (who later recorded it on a solo album). There's a little bit o' MOR soul in Dobie Gray's "Do You Really Have a Heart," released in 1970 during his long stretch between hits; he's the only artist here, actually, who had hits, besides Nino Tempo & April Stevens and (if you want to stretch it) Liz Damon's Orient Express. A few of the cuts cross from pop/rock to easy listening pop, but for the most part it's average period fare, often on the poppier and slicker side of the early L.A. studio rock sound. More successful (and, for the most part, better) White Whale releases are compiled on Varese Sarabande's Happy Together: The Very Best of White Whale Records, which combines flops with hits by the likes of the Turtles, Nino Tempo & April Stevens, Lyme & Cybelle, the Clique, and René & René, and has only one song that also appears on In the Garden.

All six songs from the Lyme & Cybelle singles (including the ones sung by Santangelo and Erwin), as well as several Lyme & Cybelle demos (all with Zevon) and early Zevon demos, appear on the Warren Zevon The First Sessions compilation.

... despite a lifelong distrust of doctors, he consulted a physician on the advice of his dentist. He was diagnosed with peritoneal mesothelioma, a virulent and inoperable form of lung cancer, and was told he was not likely to live more than a few months. After going public with his condition on September 12, 2002, he began marshalling his strength to complete a final album, with many friends and admirers stepping in to help, including Jackson Browne, Bruce Springsteen, Tom Petty, Dwight Yoakam, Ry Cooder, and Don Henley. On October 30, Zevon appeared as the sole guest on David Letterman's show, playing his songs, discussing his life and his health, and advising viewers to "Enjoy every sandwich." Against the odds, Zevon lived long enough to see the release of his final album, The Wind, on August 26, 2003, as well as the birth of his twin grandsons. He died on September 7, 2003; five months later, The Wind earned him two posthumous Grammy awards, for best contemporary folk album and best rock duo performance (for "Disorder in the House" with Bruce Springsteen).